Symboliczny wymiar rodziny na tle przemian politycznych w wybranych filmach Zhanga Yimou i Chena Kaige

Justyna Braszka

doi:10.18778/8331-250-7

The symbolic dimension of the family against the backdrop of political changes in selected films by Zhang Yimou and Chen Kaige

Justyna Braszka

University of Łódź , Wydział Filologiczny, Instytut Filologii Germańskiej

https://orcid.org/0000-0001-9800-6600 (unauthenticated)

Publication:

Językowe, literackie i kulturowe refleksje na temat jedności w różnorodności

Pages: 83-94

DOI: https://doi.org/10.18778/8331-250-7.08

Keywords: dialektologia, gatunki literackie, językoznawstwo, literatura współczesna, literaturoznawstwo, teksty liturgiczne

Published: 25 August 2023

Categories: Foreign language studies, Open Access

Downloads

E-book (Polish)

The article analyzes the themes of the films: To Live! (1994) directed by Zhang Yimou and Farewell My Concubine (1993) by Chen Kaige. The main theme of the article is the image of the family against the background of political changes, especially against the backdrop of the Great Cultural Revolution and Mao Zedong's destructive policy. The analysis of both films is preceded by an introduction, which outlines the film motifs of the so-called Fifth Generation.

License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite

Braszka, J., Janowska, A., & Ososiński, T. (Eds.). (2023). The symbolic dimension of the family against the backdrop of political changes in selected films by Zhang Yimou and Chen Kaige. In Językowe, literackie i kulturowe refleksje na temat jedności w różnorodności (pp. 83-94). Lodz University Press. https://doi.org/10.18778/8331-250-7.08