The Woman Artist: Essays in memory of Dorota Filipczak

Tomasz Dobrogoszcz; Agata Handley; Krzysztof Majer; Tomasz Fisiak; Aritha van Herk; Mieke Bal; David Jasper; Dorota Filipczak; Norman Ravvin; Philip Hayward; Matt Hill; Mark Tardi; Dorota Filipczak; Jan Jędrzejewski; Marta Goszczyńska; Monika Kocot

doi:10.18778/8331-397-9

The Woman Artist: Essays in memory of Dorota Filipczak

Tomasz Dobrogoszcz (ed)

University of Lodz, Faculty of Philology, Institute of English Studies

https://orcid.org/0000-0002-4579-7143

Agata Handley (ed)

University of Lodz, Faculty of Philology, Institute of English Studies

https://orcid.org/0000-0001-9315-9165

Krzysztof Majer (ed)

University of Lodz, Faculty of Philology, Institute of English Studies

https://orcid.org/0000-0001-9660-1465

Tomasz Fisiak (ed)

University of Lodz, Faculty of Philology, Institute of English Studies

https://orcid.org/0000-0002-5514-1287

ISBN

ISBN-13 (15): 978-83-8331-397-9

ISBN (e-book)

ISBN-13 (15): 978-83-8331-398-6

DOI: https://doi.org/10.18778/8331-397-9

Słowa kluczowe: woman, artist, feminism, Dorota Filipczak

Opublikowane: 25 kwietnia 2024

Kategorie: Filologie obce, Otwarty dostęp,

Pliki do pobrania

PDF English

The volume, honoring Professor Dorota Filipczak, whose energetic and fruitful academic career was cut short in 2021, offers a contribution to literary criticism and culture studies, the areas on which her own scholarly endeavors centered. The theme of “the woman artist” was of particular signiﬁcance both for Filipczak’s inquiry into the work of writers such as Alice Munro, Jane Urquhart, Michèle Roberts or Margaret Laurence, and for her own poetic practice.

Rather than focus on her achievements in various ﬁelds (as scholar, writer, teacher, poet, and translator), the texts collected in this volume go beyond remembrance and the honoring of an established scholar’s remarkable feats. Despite their undeniable commemorative role, the chapters are an attempt to carry Dorota Filipczak’s academic endeavors forward, into the future, with her own texts serving as prologue and inspiration. The contributors to the volume — representing various ﬁelds of the academia — are her friends, colleagues and collaborators, and the essays eloquently testify to her intellectual influence.

From more personal reflections and ruminations inspired by Filipczak’s life and work to articles exploring the work of a range of women artists, the volume offers an investigation of various approaches to autobiography, tensions between public personas and private selves, subversive performative personas, transcending religious frameworks of bodily discipline, as well as “toggling” between the human and the nonhuman.

Preface

Tomasz Dobrogoszcz, Agata Handley, Krzysztof Majer, Tomasz Fisiak

DOI: https://doi.org/10.18778/8331-397-9.01

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Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique

Aritha van Herk

DOI: https://doi.org/10.18778/8331-397-9.02

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Untimeliness, Inter-ship, Mutuality

Mieke Bal

DOI: https://doi.org/10.18778/8331-397-9.03

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Disciplined Interdisciplinarity

David Jasper

DOI: https://doi.org/10.18778/8331-397-9.04

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“Alternative Selves” and Authority in the Fiction of Jane Urquhart

Dorota Filipczak

DOI: https://doi.org/10.18778/8331-397-9.05

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What Is In the Picture (and What Is Not): Canada, Women, and Autobiography in the Work of Geraldine Moodie, Eva Hoffman and Alice Munro

Norman Ravvin

DOI: https://doi.org/10.18778/8331-397-9.06

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Elizabeth Bernholz’s Gazelle Twin: Disguise, Persona and Jesterism

Philip Hayward, Matt Hill

DOI: https://doi.org/10.18778/8331-397-9.07

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Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address

Mark Tardi

DOI: https://doi.org/10.18778/8331-397-9.08

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“Let me hear Thy voice”: Michèle Roberts’s Refiguring of Mary Magdalene in the Light of The Song of Songs

Dorota Filipczak

DOI: https://doi.org/10.18778/8331-397-9.09

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A Catholic New Woman Artist: A Contradiction in Terms? Sex, Music and Religion in George Moore’s Evelyn Innes and Sister Teresa

Jan Jędrzejewski

DOI: https://doi.org/10.18778/8331-397-9.10

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Cherishing the Body: Embodiment and the Intersubjective World in Michèle Roberts’s Playing Sardines

Marta Goszczyńska

DOI: https://doi.org/10.18778/8331-397-9.11

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On Spaces Within and Between: Dorota Filipczak’s (Embodied) Visions of the Sacred

Monika Kocot

DOI: https://doi.org/10.18778/8331-397-9.12

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Pobrania

Licencja

Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.

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