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The Woman Artist: Essays in memory of Dorota Filipczak
Słowa kluczowe:
woman, artist, feminism, Dorota FilipczakStreszczenie
The volume, honoring Professor Dorota Filipczak, whose energetic and fruitful academic career was cut short in 2021, offers a contribution to literary criticism and culture studies, the areas on which her own scholarly endeavors centered. The theme of “the woman artist” was of particular significance both for Filipczak’s inquiry into the work of writers such as Alice Munro, Jane Urquhart, Michèle Roberts or Margaret Laurence, and for her own poetic practice.
Rather than focus on her achievements in various fields (as scholar, writer, teacher, poet, and translator), the texts collected in this volume go beyond remembrance and the honoring of an established scholar’s remarkable feats. Despite their undeniable commemorative role, the chapters are an attempt to carry Dorota Filipczak’s academic endeavors forward, into the future, with her own texts serving as prologue and inspiration. The contributors to the volume — representing various fields of the academia — are her friends, colleagues and collaborators, and the essays eloquently testify to her intellectual influence.
From more personal reflections and ruminations inspired by Filipczak’s life and work to articles exploring the work of a range of women artists, the volume offers an investigation of various approaches to autobiography, tensions between public personas and private selves, subversive performative personas, transcending religious frameworks of bodily discipline, as well as “toggling” between the human and the nonhuman.
Rozdziały
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Preface
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Aesthetic Modes of Attack: The Woman Critic-Artist, Caractère unique
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Untimeliness, Inter-ship, MutualityUntimeliness, Inter-ship, Mutuality
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Disciplined Interdisciplinarity
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“Alternative Selves” and Authority in the Fiction of Jane Urquhart
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What Is In the Picture (and What Is Not): Canada, Women, and Autobiography in the Work of Geraldine Moodie, Eva Hoffman and Alice Munro
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Elizabeth Bernholz’s Gazelle Twin: Disguise, Persona and Jesterism
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Vernacular Architecture: Posthumanist Lyric Speakers in Elizabeth Willis’s Address
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“Let me hear Thy voice”: Michèle Roberts’s Refiguring of Mary Magdalene in the Light of The Song of Songs
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A Catholic New Woman Artist: A Contradiction in Terms? Sex, Music and Religion in George Moore’s Evelyn Innes and Sister Teresa
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Cherishing the Body: Embodiment and the Intersubjective World in Michèle Roberts’s Playing Sardines
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On Spaces Within and Between. Dorota Filipczak’s (Embodied). Visions of the Sacred
Pobrania
Opublikowane
25 kwietnia 2024
Kategorie
Prawa autorskie (c) 2024 © Copyright by Authors, Lodz 2024; © Copyright for this edition by University of Lodz, Lodz 2024
Licencja
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.
Szczegóły dotyczące dostępnego formatu publikacji: ISBN
ISBN
ISBN-13 (15)
978-83-8331-397-9
Szczegóły dotyczące dostępnego formatu publikacji: ISBN (e-book)
ISBN (e-book)
ISBN-13 (15)
978-83-8331-398-6
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- Tomasz Dobrogoszcz, Agata Handley, Krzysztof Majer, Tomasz Fisiak, Aritha van Herk, Mieke Bal, David Jasper, Dorota Filipczak, Norman Ravvin, Philip Hayward, Matt Hill, Mark Tardi, Dorota Filipczak, Jan Jędrzejewski, Marta Goszczyńska, Monika Kocot, The Woman Artist: Essays in memory of Dorota Filipczak
- Janusz Badio, Tomasz Dobrogoszcz, Hans Giessen, Aleksandr N. Kornev, Ingrida Balčiūnienė, Krzysztof Kosecki, James Moir, Bartosz Stopel, Jacek Waliński, Paul A. Wilson, Magdalena Zabielska, Focus on events and narratives in language, psychology, social and medical practice
