Beckett. Przewodnik

Ackerley C.J., Gontarski S.E., eds (2006), The Faber Companion to Samuel Beckett, Faber & Faber, London.
Zobacz w Google Scholar

Admussen Richard (1979), The Samuel Beckett Manuscripts: A Study, G.K. Hall, Boston.
Zobacz w Google Scholar

Alvarez Al (1992), Beckett, 2nd ed., Fontana, London.
Zobacz w Google Scholar

Ardoin Paul (2015), Beckett’s “Film”, ‘which could only have been played by Buster Keaton’, “Angelaki”, vol. 20, no. 4, s. 5–21, https://doi.org/10.1080/0969725X.2015.1096627
Zobacz w Google Scholar

Asmus Walter A. (1977), Practical Aspects of Theatre, Radio and Television: Rehearsal Notes for the German Premiere of Beckett’s “That Time” and “Footfalls” at the Schiller-Theater Werkstatt, Berlin (Directed by Beckett), trans. H. Watanabe, “Journal of Beckett Studies”, no. 2 (Summer), s. 82–95, http://www.jstor.org/stable/44783098 (dostęp: 26.02.2024).
Zobacz w Google Scholar

Bair Deirdre (1978), Samuel Beckett: A Biography, Jonathan Cape, London.
Zobacz w Google Scholar

Barnard G.C. (1970), Samuel Beckett. A New Approach: A Study of the Novels and Plays, Dodd, Mead and Co., New York.
Zobacz w Google Scholar

Bataille Georges (1951), Review of “Molloy”, “Critique”, [w:] Lawrence Graver, Raymond Federman, eds, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979, s. 55–63.
Zobacz w Google Scholar

Beckett Samuel (1954), Waiting for Godot, Grove Press, New York.
Zobacz w Google Scholar

Beckett Samuel (1963), Kilcool Notebook, Trinity College Library, Dublin, MS-TCD-4664.
Zobacz w Google Scholar

Beckett Samuel (1965), Come and Go [maszynopis z odręczną korektą Autora], Reading University Library, Beckett Collection, sygn. 1227/7/16/5.
Zobacz w Google Scholar

Beckett Samuel (1969), Breath, [w:] Oh! Calcutta! Entertainment with Music, Grove Press, New York.
Zobacz w Google Scholar

Beckett Samuel (1970), Regiebuch [niepublikowany notatnik reżyserski, archiwum Samuela Becketta, University of Reading, Beckett Collection].
Zobacz w Google Scholar

Beckett Samuel (1973), Not I [notatki reżyserskie Becketta], Reading University Library, Beckett Collection, sygn. 1227/7/12/11.
Zobacz w Google Scholar

Beckett Samuel (1974), That Time [rękopis], Reading University Library, Beckett Collection, sygn. 1477/1.
Zobacz w Google Scholar

Beckett Samuel (1977), Gone/Solo. A Piece of Monologue [rękopis], Reading Univeristy Library, Beckett Collection, sygn. MS 2068.
Zobacz w Google Scholar

Beckett Samuel (1984), The Collected Shorter Play, Grove Press, New York.
Zobacz w Google Scholar

Becket Samuel (1985), Was Wo [kopia niemieckiego przekładu What Where z komentarzami Becketta-reżysera], Reading University Library, Beckett Collection, sygn. 3097/1.
Zobacz w Google Scholar

Beckett Samuel (1990), Letters to Barney Rosset, ed. S.E. Gontarski, “The Review of Contemporary Fiction” 1990, vol. 10, no. 3 (Fall), s. 64–65.
Zobacz w Google Scholar

Beckett Samuel (1991), Three Novels: Molloy, Malone Dies, The Unnamable, Grove Press, New York.
Zobacz w Google Scholar

Beckett Samuel (1992a), The Theatrical Notebooks of Samuel Beckett, vol. II: “Endgame”, ed. S.E. Gontarski, Faber & Faber, London, Grove Press, New York.
Zobacz w Google Scholar

Beckett Samuel (1992b), The Theatrical Notebooks of Samuel Beckett, vol. III: Krapp’s Last Tape, ed. James Knowlson, Faber & Faber, London, Crove Press, New York.
Zobacz w Google Scholar

Beckett Samuel (1994), The Theatrical Notebooks of Samuel Beckett, vol. I: Waiting for Godot, ed. James Knowlson, Faber & Faber, London, Grove Press, New York.
Zobacz w Google Scholar

Beckett Samuel (1999a), The Old Tune. Beckett Short No. 7, Riverrun Press, London.
Zobacz w Google Scholar

Beckett Samuel (1999b), The Theatrical Notebooks of Samuel Beckett, vol. IV: The Shorter Plays, ed. S.E. Gontarski, Faber & Faber, London, Grove Press, New York.
Zobacz w Google Scholar

Beckett Samuel (2009), The Letters of Samuel Beckett, vol. I: 1929–1940, eds Martha Dow Fehsenfeld, Lois Overbeck, Cambridge University Press, Cambridge.
Zobacz w Google Scholar

Beckett Samuel (2011), The Letters of Samuel Beckett, vol. II: 1941–1956, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.
Zobacz w Google Scholar

Beckett Samuel (2014), The Letters of Samuel Beckett, vol. III: 1957–1965, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.
Zobacz w Google Scholar

Beckett Samuel (2016), The Letters of Samuel Beckett, vol. IV: 1966–1989, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.
Zobacz w Google Scholar

Beja Morris, Gontarski S.E., Astier Pierre, eds (1983), Samuel Beckett: Humanistic Perspectives, Ohio State University Press, Columbus.
Zobacz w Google Scholar

Billington Michael (2006), “Krapp’s Last Tape”, “The Guardian”, 16 October, https://www.theguardian.com/stage/2006/oct/16/theatre.beckettat100 (dostęp: 18.03.2024).
Zobacz w Google Scholar

Blanchot Maurice (1953), Où maintenant? Qui maintenant?, “Nouvelle Revue Française”, October, s. 678–686.
Zobacz w Google Scholar

Brantley Ben (2007), When a Universe Reels, a Baryshnikov May Fall, “New York Times”, 19 December, https://www.nytimes.com/2007/12/19/theater/reviews/19beck.html (dostęp: 18.03.2024).
Zobacz w Google Scholar

Brater Enoch (1974), The “I” in Beckett’s “Not I”, “Twentieth Century Literature”, vol. XX, no. 3.
Zobacz w Google Scholar

Brater Enoch (1987), Beyond Minimalism: Beckett’s Late Style in the Theater, Oxford University Press, New York.
Zobacz w Google Scholar

Breuer Rolf, Huber Werner, eds (1996), A Checklist of Beckett Criticism in German, Ferdinand Schöning, Paderborn.
Zobacz w Google Scholar

Bryden Mary, Garforth Julian, Mills Peter (1998), Beckett at Reading: Catalogue of the Beckett Manuscript Collection at the University of Reading, Whiteknights Press, Reading, UK.
Zobacz w Google Scholar

Bryer J.R., Friedman M.J. (1971), Essai de bibliographie des études en langues française et anglaise consacrées à Samuel Beckett (1931–1966), „Calepins de bibliographie”, nr 2.
Zobacz w Google Scholar

Calder John, ed. (1967), Beckett at 60: A Festscrift, Calder & Boyars, London.
Zobacz w Google Scholar

Calder John (1976), Editorial and Theater Diary, “Gambit: International Theater Review”, vol. VII.
Zobacz w Google Scholar

Calder John, ed. (1986), „As No Other Dare Fail”: For Samuel Beckett on His 80th Birthday by His Friends and Admirers, Calder & Riverrun Press, London.
Zobacz w Google Scholar

Coe Richard (1964), Beckett, Oliver & Boyd, Edinburgh.
Zobacz w Google Scholar

Cohn Ruby (1962), Samuel Beckett: The Comic Gamut, Rutgers University Press, New Brunswick.
Zobacz w Google Scholar

Cohn Ruby, ed. (1967), Casebook on ‘Waiting for Godot’, Grove Press, New York.
Zobacz w Google Scholar

Cohn Ruby (1973), Back to Beckett, Princeton University Press, Princeton.
Zobacz w Google Scholar

Cohn Ruby (1980), Just Play: Beckett’s Theater, Princeton University Press, Princeton.
Zobacz w Google Scholar

Cohn Ruby (2001), A Beckett Canon, University of Michigan Press, Ann Arbor.
Zobacz w Google Scholar

Davis R.J (1971), Essai de bibliographie des Oeuvres de Samuel Beckett (1929–1966), „Calepins de bibliographie”, nr 2.
Zobacz w Google Scholar

Davis R.J. (1977), Beckett Bibliography after Federman and Fletcher, “Journal of Beckett Studies”, no. 2 (Summer), s. 63–69.
Zobacz w Google Scholar

Davis R.J. (1979), Samuel Beckett: Checklist and Index of his Published Works 1967–1976, Published from the Library, University of Stirling.
Zobacz w Google Scholar

Deleuze Gilles (1998), Essays Critical and Clinical, trans. D.W. Smith, M.A. Greco, Verso, London–New York.
Zobacz w Google Scholar

Driver Tom (1961), Beckett by the Madeleine, „Columbia University Forum”, IV (Summer), s. 21–25.
Zobacz w Google Scholar

Duckworth Colin (1966), Introduction, [w:] Samuel Beckett, En attendant Godot, George Harrap, London, s. XVII–CXXXV.
Zobacz w Google Scholar

Esslin Martin (1961), The Theatre of the Absurd, Anchor Books, Doubleday and Company, Inc., Garden City, New York.
Zobacz w Google Scholar

Federman Raymond, Fletcher John (1970), Samuel Beckett: His Works and His Critics. An Essay in Bibliography, University of California Press, Berkeley–Los Angeles.
Zobacz w Google Scholar

Fletcher Beryl S., Fletcher John (1973), A Student’s Guide to the Plays of Samuel Beckett, Faber & Faber, London.
Zobacz w Google Scholar

Frost Everett (1991), Fundamental Sounds: Recording Samuel Beckett’s Radio Plays, „Theatre Journal” vol. 43, no. 3, s. 361–376.
Zobacz w Google Scholar

Gascoigne Bamber (1964), How Far Can Beckett Go?, “The Observer”, 12 April.
Zobacz w Google Scholar

Goldstein Ruth M., ed. (1977), A Discussion Guide for the Play ‘Waiting for Godot’, Grove Press, New York.
Zobacz w Google Scholar

Gontarski S.E. (1977), Beckett’s „Happy Days”: A Manuscript Study, Ohio State University Library Publications, Columbus.
Zobacz w Google Scholar

Gontarski S.E. (1983), „Ohio Impromptu”: gra przeciw tekstowi, przeł. Elżbieta Jasińska, „Dialog”, nr 3, s. 98–101.
Zobacz w Google Scholar

Gontarski S.E. (1985), The Intent of Undoing in Samuel Beckett’s Dramatic Texts, Indiana University Press, Bloomington.
Zobacz w Google Scholar

Gontarski S.E., ed. (1986), On Beckett: Essays and Criticism, with an Introduction by S.E. Gontarski, Grove Press, New York.
Zobacz w Google Scholar

Gontarski S.E. (1987), “What Where II”: Revision as Re-creation, “Review of Contemporary Fiction”, vol. 7, no. 2, s. 120–123.
Zobacz w Google Scholar

Gontarski S.E. (1992), Working Through Beckett, [w:] Steve Wilmer, ed., Beckett in Dublin, Lilliput Press, Dublin, s. 33–52.
Zobacz w Google Scholar

Gontarski S.E., ed. (1993), The Beckett Studies Reader, University Press of Florida, Gainesville.
Zobacz w Google Scholar

Gontarski S.E. (1997), Staging Himself, or Beckett’s Late Style in the Theater, “Samuel Beckett Today / Aujourd’hui”, vol. 6: Crossroads and Borderlines, L’Oeuvre Carrefour / L’Oeuvre Limite, s. 87–97.
Zobacz w Google Scholar

Gontarski S.E., ed. (2014), On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company.
Zobacz w Google Scholar

Gontarski S.E. (2015), Samuel Beckett and the ‘Idea’ of Theatre: Performance through Artaud and Deleuze, [w:] Dirk Van Hulle, ed., The New Cambridge Companion to Samuel Beckett, Cambridge University Press, Cambridge, s. 126–142.
Zobacz w Google Scholar

Gontarski S.E. (2018), Revisioning Beckett: Samuel Beckett’s Decadent Turn, Bloomsbury Academic, New York.
Zobacz w Google Scholar

Gontarski S.E. (2023), Bad Godots: „Vladimir emerges from the barrel” and Other Interventions, Cambridge University Press, Cambridge.
Zobacz w Google Scholar

Gontarski Beckett Library – Stanley E. Gontarski Beckett Library, Trinity College, Dublin, https://www.tcd.ie/library/manuscripts/blog/tag/stanley-e-gontarski-beckett-library/
Zobacz w Google Scholar

Gussow Mel (1994), Reading Upsets Beckett Estate, “New York Times”, 24 September, s. 11, https://www.nytimes.com/1994/09/24/theater/a-reading-upsets-beckett-s-estate.html
Zobacz w Google Scholar

Harmon Maurice, ed. (1998), No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider, Harvard University Press, Cambridge, Mass.
Zobacz w Google Scholar

Hassan Ihab (1967), The Literature of Silence: Henry Miller and Samuel Beckett, Knopf, New York.
Zobacz w Google Scholar

Hobson Harold (1967), The First Night of ‘Waiting for Godot’, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London, s. 25–28.
Zobacz w Google Scholar

Hoy P.C. (1971), Une esquisse de bibliographie des études en d’autres langues (1953–1969), „Calepins de bibliographie”, nr 2.
Zobacz w Google Scholar

Juliet Charles (1995), Conversations with Samuel Beckett and Bram van Velde, transl. Janey Tucker, Academic Press, Leiden.
Zobacz w Google Scholar

Kenner Hugh (1961), Samuel Beckett: A Critical Study, Grove Press, New York.
Zobacz w Google Scholar

Kenner Hugh (1973), A Reader’s Guide to Samuel Beckett, Syracuse University Press.
Zobacz w Google Scholar

Kern Edith (1954), Drama Stripped for Inaction: Beckett’s “Godot”, “Yale French Studies”, no. 14, s. 41–47, https://www.jstor.org/stable/2928960 (dostęp: 29.02.2024).
Zobacz w Google Scholar

Knowlson James (1996), Damned to Fame: The Life of Samuel Beckett, Simon & Schuster, New York.
Zobacz w Google Scholar

Krance Charles (1989), Sam w Polsce / Sam in Poland, “Journal of Beckett Studies”, no. 11–12, s. 131–152.
Zobacz w Google Scholar

Krance Charles, ed. (1993), Samuel Beckett’s “Company/Compagnie” and “A Piece of Monologue/Solo”: A Bilingual Variorum Edition, Routledge, London.
Zobacz w Google Scholar

Krance Charles, ed. (1996), Samuel Beckett’s “Mal vu mal dit / Ill Seen Ill Said”: A Bilingual, Evolutionary, and Synoptic Variorum Edition, Garland, New York–London.
Zobacz w Google Scholar

Lake Carlton, ed. (1984), No Symbols Where None Intended: A Catalogue of Books, Manuscripts, and Other Materials Relating to Samuel Beckett in the Collections of the Humanities Research Center, Harry Ransom Humanities Research Center (University of Texas), Austin.
Zobacz w Google Scholar

Lawley Paul (1983), Counterpoint, Absence and the Medium in Beckett’s “Not I”, “Modern Drama”, vol. 26, no. 4, s. 407–414, https://muse.jhu.edu/article/498234/pdf
Zobacz w Google Scholar

Locatelli Carla (1993), An Outline of Beckett Criticism in Italy, “Journal od Beckett Studies”, vol. 3, no. 1 (Autumn), s. 39–57.
Zobacz w Google Scholar

Lonsdale Michaël (2014), Michaël Lonsdale joue les mots derrière les mots, “La République des livres”, 24 Décembre, https://larepubliquedeslivres.com/entretien-lonsdale/
Zobacz w Google Scholar

McMillan Dougald, Fehsenfeld Martha, eds (1988), Beckett in the Theater: The Author as Practical Playwright and Director, Riverrun Press, New York.
Zobacz w Google Scholar

Mégevand Martin (2010), Pinget Seen by Beckett, Beckett According to Pinget: The Unpublishable, “Journal of Beckett Studies”, vol. 19, no. 1, s. 3–14, http://www.jstor.org/stable/26469652 (dostęp: 28.02.2024).
Zobacz w Google Scholar

Mercier Vivian (1956), The Uneventful Event, „The Irish Times”, 18 February, s. 6.
Zobacz w Google Scholar

Mitchell Breon (1982), “Samuel Beckett: checklist and index of his published works 1967-1976” by Robin J. Davis, “Journal of Beckett Studies”, no. 8 (Autumn), s. 152–154.
Zobacz w Google Scholar

Murphy P.J., Huber Werner, Breuer Rolf, Schoell Konrad (1994), Critique of Beckett Criticism. A Guide to Research in English, French, and German, Camden House, Columbia.
Zobacz w Google Scholar

Nixon Mark (2011), Samuel Beckett’s German Diaries 1936–1937, Bloomsbury Publishing, London.
Zobacz w Google Scholar

O’Brien Eoin (1986), The Beckett Country: Samuel Beckett’s Ireland, Black Cat Press, Dublin.
Zobacz w Google Scholar

O’Brien Eoin (1993), [list do redakcji], „Times Literary Supplement”, 16 July, s. 17.
Zobacz w Google Scholar

Pilling John (1999), Beckett and the ‘Itch to Make’: The Early Poems in English, “Samuel Beckett Today / Aujourd’hui”, no. 8, s. 15–25.
Zobacz w Google Scholar

Rabaté Jean-Michel (2016), Excuse My French: Samuel Beckett’s Style of No Style, „CR: The New Centennial Review”, vol. 16, no. 3, s. 133–150, https://doi.org/10.14321/crnewcentrevi.16.3.0133
Zobacz w Google Scholar

Rabinovitz Rubin (2014), „Murphy” and the Uses of Repetition, [w:] S.E. Gontarski, ed., On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company, s. 53–72.
Zobacz w Google Scholar

Rosset Archive, Columbia University, https://findingaids.library.columbia.edu/ead/nnc-rb/ldpd_7953908/dsc/6
Zobacz w Google Scholar

Rosset Barney (2017), Dear Mr. Beckett: The Samuel Beckett File, ed. Lois Oppenheim, curated by Astrid Myers, Opus, Tuxedo Park, NY .
Zobacz w Google Scholar

Schneider Alan (1986), Entrances. An American Director’s Journey, Viking Press, New York.
Zobacz w Google Scholar

Seaver Richard W. (2014), Beckett and “Merlin”, [w:] S.E. Gontarski, ed., On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company.
Zobacz w Google Scholar

Shenker Israel (1956), Moody Man of Letters, “New York Times”, 5 May, [w:] Lawrence Graver, Raymond Federman, eds, Samuel Beckett. The Critical Heritage, Routledge and Kegan Paul, London 1979, s. 146–149.
Zobacz w Google Scholar

Tanner James T.F., Don Vann Jerry (1969), Samuel Beckett. A Checklist of Criticism, Kent State University Press, Kent.
Zobacz w Google Scholar

Van Hulle Dirk, ed. (2015), The New Cambridge Companion to Samuel Beckett, Cambridge University Press, Cambridge.
Zobacz w Google Scholar

Van Hulle Dirk (2017), Samuel Beckett, Molloy, Malone Dies and The Unnamable (1951–1958), [w:] Christoph Reinfandt, ed., Handbook of the English Novel of the Twentieth and Twenty-First Centuries, De Gruyter, Berlin–Boston, s. 252–267, https://doi.org/10.1515/9783110369489-013
Zobacz w Google Scholar

Van Hulle Dirk, Verhulst Pim (2018), The Making of Samuel Beckett’s “Waiting for Godot” / “En attendant Godot”, Bloomsbury Academic.
Zobacz w Google Scholar

Whitelaw Billie (1978), Practical Aspects of Theatre, Radio and Television. Extracts from an unscripted interview with Billie Whitelaw by James Knowlson, “Journal of Beckett Studies”, no. 3, s. 85–90, http://www.jstor.org/stable/44783121 (dostęp: 27.02.2024).
Zobacz w Google Scholar

Worth Katharine (1998), Words for Music Perhaps, [w:] Mary Bryden, ed., Samuel Beckett and Music, Clarendon Press, Oxford, s. 9–20.
Zobacz w Google Scholar

Zilliacus Claus (1976), Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television, Åbo Akadami, Åbo.
Zobacz w Google Scholar

Zilliacus Claus (1993), “Act Without Words 1” as Cartoon and Codicil, “Samuel Beckett Today / Aujourd’hui”, vol. 2, s. 295–304, http://www.jstor.org/stable/25781178 (dostęp: 25.01.2024).
Zobacz w Google Scholar

Ackerley C.J., Demented Particulars. The Annotated “Murphy”, Journal of Beckett Studies Books, Tallahassee 1998.
Zobacz w Google Scholar

Ackerley C.J., Gontarski S.E., eds, The Grove Companion to Samuel Beckett: A Reader’s Guide to His Life, Works and Thought, Grove Press, New York 2004.
Zobacz w Google Scholar

Ackerley C.J., Gontarski S.E., Samuel Beckett and the Bible: A Guide, “Journal of Beckett Studies” 1999, vol. 9, no. 1 (Autumn), s. 53–125.
Zobacz w Google Scholar

Adorno Theodor, Trying to Understand „Endgame”, trans. Samuel Weber, [w:] Gale Bell-Chevigny, ed., Twentieth Century Interpretations of Endgame, Prentice Hall, Englewood Cliffs 1969, s. 82–114.
Zobacz w Google Scholar

Atik Anne, How It Was: A Memoir of Samuel Beckett, Faber & Faber, London 2001.
Zobacz w Google Scholar

Barale Michèle Aina, Rabinovitz Rubin, A KWIC Concordance to Samuel Beckett’s Murphy, 2 vols, Garland, New York–London 1990.
Zobacz w Google Scholar

Barale Michèle Aina, Rabinovitz Rubin, A KWIC Concordance to Samuel Beckett’s Trilogy: Molloy, Malone Dies, and The Unnamable, 2 vols, Garland, New York–London 1988.
Zobacz w Google Scholar

Ben-Zvi Linda, Fritz Mauthner for Company, “Journal of Beckett Studies” 1984, no. 9, s. 65–88.
Zobacz w Google Scholar

Ben-Zvi Linda, Samuel Beckett, Twayne, Boston 1986.
Zobacz w Google Scholar

Ben-Zvi Linda, Samuel Beckett, Fritz Mauthner, and the Limits of Language, “PMLA” 1980, vol. 95, no. 2 (March), s. 183–200.
Zobacz w Google Scholar

Blanchot Maurice, Review of “The Unnamable” [1953], [w:] Lawrence Graver, Raymond Federman, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979, s. 116–121.
Zobacz w Google Scholar

Bowles Patrick, How Samuel Beckett Sees the Universe, “The Listener” 1958, no. 59 (19 June), s. 1011–1012.
Zobacz w Google Scholar

Bowles Patrick, How to Fail: Notes on Talks with Samuel Beckett, “Poetry Nation Review” 1994, vol. XX, no. 4 (March–April), s. 24–38.
Zobacz w Google Scholar

Bryden Mary, Beckett and the Idea of God, Macmillan, Basingstoke 1998.
Zobacz w Google Scholar

Bryden Mary, ed., Samuel Beckett and Music, Clarendon Press, Oxford 1998.
Zobacz w Google Scholar

Bryden Mary, Women in Samuel Beckett’s Prose and Drama: Her Own Other, Macmillan, Basingstoke–London 1993.
Zobacz w Google Scholar

Butler Lance St John, Samuel Beckett and the Meaning of Being: A Study in Ontological Parable, St. Martin’s Press, New York 1984.
Zobacz w Google Scholar

Butler Lance St John, Davis Robin, eds, Rethinking Beckett: A Collection of Critical Essays, Macmillan, Basingstoke 1990.
Zobacz w Google Scholar

Calder John, ed., A Samuel Beckett Reader, Calder & Boyars, London 1967.
Zobacz w Google Scholar

Caselli Daniela, Beckett’s Intertextual Modalities: The Case of Leopardi, “Journal of Beckett Studies” 1996, vol.6, no. 1 (Autumn), s. 1–24.
Zobacz w Google Scholar

Caselli Daniela, Looking it up in My Big Dante: A Note on ‘Sedendo et Quiesc[i]endo’, “Journal of Beckett Studies” 1997, vol. 6, no. 2 (Spring), s. 85–93.
Zobacz w Google Scholar

Coe Richard N., Beckett’s English, [w:] Morris Beja, S.E. Gontarski, Pierre Astier, eds, Samuel Beckett: Humanistic Perspectives, Ohio State University Press, Colombus 1983, s. 36–57.
Zobacz w Google Scholar

Coe Richard N., Samuel Beckett, Grove Press, New York 1967.
Zobacz w Google Scholar

Cohn Ruby, Mabou Mines Translations of Beckett, [w:] Alan Warren Friedman, Charles Rossman, Dina Sherzer, eds, Beckett Translating / Translating Beckett, Pennsylvania State University Press, University Park 1987.
Zobacz w Google Scholar

Cohn Ruby, Philosophical Fragments in Works of Samuel Beckett, “Criticism” 1964, vol. 6, no. 1 (Winter), s. 33–43; przedruk w: Martin Esslin, ed., Samuel Beckett: A Collection of Critical Essays, Prentice Hall, Englewood Cliffs 1965, s. 169–177.
Zobacz w Google Scholar

Cohn Ruby, Samuel Beckett Self-translator, “PMLA” 1961, vol. LXXVI (December), s. 613–621.
Zobacz w Google Scholar

Cohn Ruby, The ‘F------’ Story, “Samuel Beckett Today / Aujourd’hui” 1988, vol. 7, s. 41–45.
Zobacz w Google Scholar

Connor Steven, Samuel Beckett: Repetition, Theory, and Text, Basil Blackwell, Oxford 1988.
Zobacz w Google Scholar

Cronin Anthony, Samuel Beckett: The Last Modernist, HarperCollins, London 1997.
Zobacz w Google Scholar

Dobbin Rachel [Burrows], Interview with Rachel Burrows, Dublin, Bloomsday, 1982, interviewers: S.E. Gontarski, Martha Fehsenfeld, Dougald McMillan, “Journal of Beckett Studies” 1989, vol. 11–12, s. 6–15.
Zobacz w Google Scholar

Doherty Francis, Mahaffy’s Whoroscope, “Journal of Beckett Studies” 1992, vol. 2, no. 1 (Autumn), s. 27–46.
Zobacz w Google Scholar

Doherty Francis, Samuel Beckett, Hutchinson, London 1971.
Zobacz w Google Scholar

Ellis Rueben J., ‘Matrix of Surds’: Heisenburg’s Algebra in Beckett’s “Murphy”, “Papers on Language and Literature” 1989, Winter, s. 120–123; przedruk w: Lance St. John Butler, ed., Critical Essays on Samuel Beckett, Scolar Press, Aldershot 1993, s. 362–365.
Zobacz w Google Scholar

Esslin Martin, Dionysos’ Dianoetic Laughter, [w:] John Calder, ed., “As No Other Dare Fail”: For Samuel Beckett on His 80th Birthday by His Friends and Admirers, John Calder & Riverrun Press, London 1986, s. 15–23.
Zobacz w Google Scholar

Esslin Martin, Samuel Beckett, [w:] John Cruikshank, ed., The Novelist as Philosopher: Studies in French Fiction 1935–1960, Oxford University Press, London 1962, s. 128–146.
Zobacz w Google Scholar

Esslin Martin, Samuel Beckett’s Poems, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 55–60.
Zobacz w Google Scholar

Federman Raymond, Journey to Chaos: Samuel Beckett’s Early Fiction, University of California Press, Berkeley–Los Angeles 1965.
Zobacz w Google Scholar

Fletcher John, Modernism and Samuel Beckett, [w:] Janet Gorton, ed., Facets of European Modernism: Essays in Honor of James McFarlane (presented to him on his 65th birthday, 12 December 1985), University of East Anglia, Norwich 1985, s. 199–217.
Zobacz w Google Scholar

Fletcher John, The Novels of Samuel Beckett, Chatto & Windus, London 1964.
Zobacz w Google Scholar

Friedman Alan Warren, ed., Beckett in Black and Red: The Translations for Nancy Cunard’s Negro (1934), University Press of Kentucky. Lexington 2000.
Zobacz w Google Scholar

Gontarski S.E., The Anatomy of Beckett’s “Eh Joe”, “Modern Drama” 1983, vol. 26, no. 4, s. 425–434, https://muse.jhu.edu/article/498236/pdf
Zobacz w Google Scholar

Gontarski S.E., ed., The Beckett Critical Reader: Archives, Theories, and Translation, with an Introduction by S.E. Gontarski, Edinburgh University Press, Edinburgh 2012.
Zobacz w Google Scholar

Gontarski S.E., Beckett Matters: Essays on Samuel Beckett’s Late Modernism, Edinburgh University Press, Edinburgh 2016.
Zobacz w Google Scholar

Gontarski S.E., A Companion to Samuel Beckett, with an Introduction by S.E. Gontarski, Wiley-Blackwell, Oxford 2010.
Zobacz w Google Scholar

Gontarski S.E., ed., The Edinburgh Companion to Samuel Beckett and the Arts, with an Introduction by S.E. Gontarski, Edinburgh University Press, Edinburgh 2014.
Zobacz w Google Scholar

Gontarski S.E., Editing Beckett, “Twentieth Century Literature” 1995, vol. 41, no. 2 (Summer), s. 190–207.
Zobacz w Google Scholar

Gontarski S.E., Revising Himself: Performance as Text in Samuel Beckett’s The­ater, “Journal of Modern Literature” 1998, vol. 22, no. 1 (Fall), s. 131–145.
Zobacz w Google Scholar

Graver Lawrence, Federman Raymond, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979.
Zobacz w Google Scholar

Harrington John P., The Irish Beckett, Syracuse University Press, Syracuse 1991.
Zobacz w Google Scholar

Harrison Robert, Samuel Beckett’s Murphy: A Critical Excursion, University of Georgia Press, Athens 1968.
Zobacz w Google Scholar

Harvey Lawrence, Samuel Beckett, Poet and Critic, Princeton University Press, Princeton 1970.
Zobacz w Google Scholar

Hesla David H., The Shape of Chaos: An Interpretation of the Art of Samuel Beckett, University of Minnesota Press, Minneapolis 1971.
Zobacz w Google Scholar

Hill Leslie, Beckett’s Fiction: In Different Words, Cambridge University Press, Cambridge 1990.
Zobacz w Google Scholar

Hobson Harold, Samuel Beckett, Dramatist of the Year, [w:] International Theatre Annual. No. 1, Citadel Press, New York 1956, s. 153–155.
Zobacz w Google Scholar

Janvier Ludovic, Pour Samuel Beckett, Les Éditions de Minuit, Paris 1966.
Zobacz w Google Scholar

Jones Anthony, The French “Murphy”: from ‘Rare Bird’ to ‘Cancre’, “Journal of Beckett Studies” 1980, no. 6 (Autumn), s. 37–50.
Zobacz w Google Scholar

Kennedy Sighle, Murphy’s Bed: A Study of Real Sources and Sur-Real Associations in Samuel Beckett’s First Novel, Bucknell University Press, Lewisburg 1971.
Zobacz w Google Scholar

Kern Edith, Existential Thought and Fictional Technique: Kierkegaard, Sartre, Beckett, Yale University Press, New Haven 1970.
Zobacz w Google Scholar

Knowlson James, ed., Happy Days: Samuel Beckett’s Production Notebooks, Faber & Faber, Grove Press, London–New York 1985.
Zobacz w Google Scholar

Knowlson James, Good Heavens, “Gambit. International Theatre Review” 1976, vol. 7, no. 28, s. 101–108.
Zobacz w Google Scholar

Knowlson James, “Krapp’s Last Tape”, Beckett regista allo Schiller-Teatro, [w:]S.E. Gontarski, Annamaria Cascetta, eds, Beckett in scena: Interpretazione memorabili nel mondo (Drammaturgia 9), Salerno Editrice, Roma 2022.
Zobacz w Google Scholar

Knowlson James, Lightness and Darkness in the Theatre of Samuel Beckett, Turret Books, London 1972.
Zobacz w Google Scholar

Knowlson James, My Texts are in a Terrible Mess, [w:] Bruce Stewart, ed., Beckett and Beyond, Colin Smythe, Gerrards Cross 1999, s. 176–186.
Zobacz w Google Scholar

Knowlson James, Pilling John, Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett, Grove Press, New York 1980.
Zobacz w Google Scholar

Lawley Paul, “Embers”: An Interpretation, “Journal of Beckett Studies” 1980, no. 6 (Autumn), s. 9–36.
Zobacz w Google Scholar

Leventhal A.J., The Thirties, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 7–13.
Zobacz w Google Scholar

Levy Alan, The Long Wait for Godot, “Theatre Arts” 1956, vol. XL, no. 8 (August), s. 33–35, 96.
Zobacz w Google Scholar

Libera Antoni, Pyda Janusz, Dialogues on Beckett: Whatever Happened to God?, Anthem Press, London 2019.
Zobacz w Google Scholar

Lindon Jérôme, First Meeting with Samuel Beckett, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 17–19.
Zobacz w Google Scholar

Locatelli Carla, Beckett’s ‘Obligation to Express’: from a Mythology of Demystification to the Utterance of Better Failures, [w:] Bruce Stewart, ed., Beckett and Beyond, Colin Smythe, Gerrards Cross 1999, s. 193–204.
Zobacz w Google Scholar

Locatelli Carla, Beckett’s “Stirings Still”, “American Poetry Review” 1999, vol. 28, no. 5 (September–October), s. 39–44.
Zobacz w Google Scholar

Locatelli Carla, Unwording the World: Samuel Beckett’s Prose Works after the Nobel Prize, University of Pennsylvania Press, Philadelphia 1990.
Zobacz w Google Scholar

McCarthy Patrick A., ed., Critical Essays on Samuel Beckett, G.K. Hall, Boston 1986.
Zobacz w Google Scholar

McCormack W.J., Samuel Beckett and the “Negro Anthology”, “Hermathena. A Trinity College Review” 1992, s. 73–92.
Zobacz w Google Scholar

McMillan Dougald, “Echo’s Bones”: Starting Points for Beckett, [w:] Eduard Morot-Sir et al., eds, Samuel Beckett, University of North Carolina Press, Chapel Hill 1976.
Zobacz w Google Scholar

McQueeny Terence, Beckett as a Critic of Joyce and Proust, PhD Diss., University of North Carolina, 1977.
Zobacz w Google Scholar

Mays J.C.C., Beckett Bibliography: A Revised Edition of Federman and Fletcher, or Not?, “The Beckett Circle / Le cercle de Beckett. Newsletter of the Samuel Beckett Society” 1978, vol. 1, no. 2 (Fall), s. 1.
Zobacz w Google Scholar

Mays J.C.C., How is MacGreevy a Modernist?, [w:] Patricia Coughlan, Alex Davis, eds, Modernism and Ireland: The Poetry of the 1930s, Cork University Press, Cork 1995, s. 125–126.
Zobacz w Google Scholar

Mays J.C.C., Mythologized Presences: “Murphy” in its Time, [w:] Joseph Ronsley, ed., Myth and Reality in Irish Literature, Wilfrid Laurier University Press, Waterloo 1977, s. 197–218.
Zobacz w Google Scholar

Mays J.C.C., Undertaking Murphy and the Question of Apmonia, “Gaéliana” 1982, no. 4, s. 159–178.
Zobacz w Google Scholar

Mays J.C.C., Young Beckett’s Irish Roots, “Irish University Review” 1984, vol. 14, no. 1 (Spring), s. 18–33.
Zobacz w Google Scholar

Maxwell Jane, The Samuel Beckett Manuscripts at Trinity College Library Dublin, “Samuel Beckett Today / Aujourd’hui” 2006, vol. 16, s. 183–199, http://www.jstor.org/stable/25781732
Zobacz w Google Scholar

Mercier Vivien, Beckett/Beckett, Oxford University Press, New York 1977.
Zobacz w Google Scholar

Mihalovici Marcel, My Collaboration with Samuel Beckett, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 20–22.
Zobacz w Google Scholar

Mintz Samuel, Beckett’s “Murphy”: A Cartesian Novel, “Perspective” 1959, vol. 11, no. 3 (Autumn), s. 156–165.
Zobacz w Google Scholar

Mitchell Breon, Art in Microcosm: The Manuscript Stages of Beckett’s “Come and Go”, “Modern Drama” 1976, vol. 19, no. 3, s. 245–254.
Zobacz w Google Scholar

Mood John J., ‘The Personal System’: Samuel Beckett’s “Watt”, “PMLA” 1971, vol. 86, s. 255–265.
Zobacz w Google Scholar

Moorjani Angela, Abysmal Games in the Novels of Samuel Beckett, University of North Carolina Press, Chapel Hill 1982.
Zobacz w Google Scholar

Moorjani Angela, “En attendant Godot” on Michel Polac’s “Entrée des Auteurs”, “Samuel Beckett Today / Aujourd’hui” 1998, vol. 7, s. 47–56.
Zobacz w Google Scholar

Morot-Sir Edouard, Samuel Beckett and Cartesian Emblems, [w:] Edouard Morot-Sir, Howard Harper, Dougald McMillan III, eds, Samuel Beckett: The Art of Rhetoric, University of North Carolina Press, Chapel Hill 1976, s. 25–103.
Zobacz w Google Scholar

Murphy P.J., Beckett and the Philosophers, [w:] John Pilling, ed., The Cambridge Companion to Beckett, Cambridge University Press, Cambridge 1994, s. 222–240.
Zobacz w Google Scholar

Murphy P.J., Reconstructing Beckett: Language and Being in Samuel Beckett’s Fiction, University of Toronto Press, Toronto 1992.
Zobacz w Google Scholar

O’Brien Kate, Fiction, “The Spectator” 1938, March 25, s. 546.
Zobacz w Google Scholar

O’Hara J.D., Samuel Beckett’s Hidden Drives: Structural Uses of Depth Psychology, University Press of Florida, Gainesville 1997.
Zobacz w Google Scholar

Pilling John, Beckett before Godot, Cambridge University Press, Cambridge 1998.
Zobacz w Google Scholar

Pilling John, Beckett’s Proust, “Journal of Beckett Studies” 1976, no. 1 (Winter), s. 8–29.
Zobacz w Google Scholar

Pilling John, ed., The Cambridge Companion to Beckett, Cambridge University Press, Cambridge 1994.
Zobacz w Google Scholar

Pilling John, A Companion to “Dream of Fair to Middling Women”, Journal of Beckett Studies Books, Tallahassee 2003.
Zobacz w Google Scholar

Pilling John, From a (W)horoscope to “Murphy”, [w:] John Pilling, Mary Bryden, eds, The Ideal Core of the Onion: Reading Beckett Archives, Beckett International Foundation, Reading 1992, s. 1–20.
Zobacz w Google Scholar

Pilling John, Guesses and Recesses: Notes on, in and towards “Dream of Fair to Middling Women”, “Samuel Beckett Today / Aujourd’hui” 1998, vol. 7, s. 13–23.
Zobacz w Google Scholar

Pilling John, Losing One’s Classics: Beckett’s Small Latin, and Less Greek, “Journal of Beckett Studies” 1995, vol. 4, no. 2 (Spring), s. 5–14.
Zobacz w Google Scholar

Pilling John, A Mermaid Made Over: Beckett’s ‘Text’ and John Ford, [w:] Bruce Stewart, ed., Beckett and Beyond, Colin Smythe, Gerrards Cross 1999, s. 211–215.
Zobacz w Google Scholar

Pilling John, Samuel Beckett, Routledge & Kegan Paul, London 1979.
Zobacz w Google Scholar

Putnam Samuel, The European Caravan, Part 1, Brewer, Warren & Putnam, New York 1931.
Zobacz w Google Scholar

Rabaté Jean-Michel, ed., Beckett avant Beckett: Essais sur le jeune Beckett, Presses de l’École Normale Supérieure, Paris 1984.
Zobacz w Google Scholar

Rabaté Jean-Michel, ed., Beckett et le psychoanalyste, Mentha, Aris 1992.
Zobacz w Google Scholar

Rabaté Jean-Michel, Beckett’s Ghosts and Fluxions, [w:] Sjef Houppermanns, ed., Beckett & la Psychoanalyse / & Psychoanalysis, Rodopi, Amsterdam 1996, s. 23–42.
Zobacz w Google Scholar

Rabaté Jean-Michel, The Ghosts of Modernity, University Press of Florida, Gainesville 1996.
Zobacz w Google Scholar

Rabinovitz Rubin, The Development of Samuel Beckett’s Fiction, University of Illinois Press, Urbana 1984.
Zobacz w Google Scholar

Rabinovitz Rubin, Innovation in Samuel Beckett’s Fiction, University of Illinois Press. Urbana 1992.
Zobacz w Google Scholar

Rabinovitz Rubin, Unreliable Narrative in Murphy, [w:] Morris Beja, S.E. Gontarski, Pierre Astier, eds, Samuel Beckett: Humanistic Perspectives, Ohio State University Press, Columbus 1983, s. 58–70.
Zobacz w Google Scholar

Rathjen Friedhelm, ed., In Principle, Beckett is Joyce, Split Pea Press, Edinburgh 1999.
Zobacz w Google Scholar

Revue d’Esthétique [numéro hors-série] 1990, Samuel Beckett, Paris.
Zobacz w Google Scholar

Robbe-Grillet Alain, Samuel Beckett, or ‘Presence’ on the Stage (1953, 1957), [w:] For a New Novel: Essays on Fiction, trans. Richard Howard, Grove Press, New York 1965, s. 111–125.
Zobacz w Google Scholar

Robinson Michael, The Long Sonata of the Dead: A Study of Samuel Beckett, Rupert Hart-Davis, London 1969.
Zobacz w Google Scholar

Ross Charles, Beckett in Black and Red, University of Kentucky Press, Lexington 1999.
Zobacz w Google Scholar

Schneider Alan, Waiting for Beckett, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 34–52.
Zobacz w Google Scholar

Smith Anna, Proceeding by Aporia, “Journal of Beckett Studies” 1993, vol. 3, no. 1 (Autumn), s. 21–37.
Zobacz w Google Scholar

Smith Frederik N., Beckett’s Eighteenth Century, St. Martin’s Press, New York 2002.
Zobacz w Google Scholar

Tophoven Elmar, Translating Beckett, [w:] Dougald McMillan, Martha Feh­senfeld, eds, Beckett in the Theatre, John Calder, London 1988, s. 317–324.
Zobacz w Google Scholar

Trezise Thomas, Into the Breach: Samuel Beckett and the Ends of Literature, Princeton University Press, Princeton 1990.
Zobacz w Google Scholar

Tynan Kenneth, Review of “Endgame” [1957], [w:] Lawrence Graver, Raymond Federman, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979, s. 164–166.
Zobacz w Google Scholar

Uhlmann Anthony, Beckett and Poststructuralism, Cambridge University Press, Cambridge 1999.
Zobacz w Google Scholar

Watson David, Paradox and Desire in Beckett’s Fiction, Macmillan, Basingstoke 1991.
Zobacz w Google Scholar

Webb Eugene, Samuel Beckett: A Study of His Novels, University of Washington Press, Seattle–London 1971.
Zobacz w Google Scholar

Worth Katharine, Samuel Beckett’s Theater: Life Journeys, Oxford University Press, Oxford 1999.
Zobacz w Google Scholar

Wulf Catharina, The Imperative of Narration: Beckett, Bernhard, Schopenhauer, Lacan, Sussex University Press, Brighton 1997.
Zobacz w Google Scholar

Zurbrugg Nicholas, Beckett and Proust, Colin Smythe, Gerrards Cross 1988.
Zobacz w Google Scholar

Zurbrugg Nicholas, Beckett, Proust, and “Dream of Fair to Middling Women”, “Journal of Beckett Studies” 1984, vol. 9, s. 25–41.
Zobacz w Google Scholar

Brzeska Ewa, Recepcja twórczości Samuela Becketta w Polsce, Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, Toruń 2020. [Książka poza szczegółowym omówieniem obecności dzieł Samuela Becketta w polskiej recepcji teatralnej oraz naukowej, zawiera także wyczerpujące zestawienie publikacji w języku polskim i angielskim poświęconych twórczości Irlandczyka.]
Zobacz w Google Scholar

Kędzierski Marek, Samuel Beckett, Wiedza Powszechna, Warszawa 1990.
Zobacz w Google Scholar

Klimczak Dariusz Piotr, Śmiertelnicy. Teatr Absurdu Samuela Becketta w przestrzeni Misterium Mortis, Narodowe Centrum Kultury, Maximum, Warszawa–Kraków 2006.
Zobacz w Google Scholar

Libera Antoni, Godot i jego cień, Wydawnictwo Znak, Kraków 2009.
Zobacz w Google Scholar

Libera Antoni, Samuel Beckett. Wierność przegranej. Eseje, Znak, Kraków 1999.
Zobacz w Google Scholar

Momro Jakub, Literatura świadomości. Samuel Beckett – podmiot – negatywność, Universitas, Kraków 2010.
Zobacz w Google Scholar

Wiśniewski Tomasz (red.), Beckett w XXI wieku. Rozpoznanie, Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk 2017.
Zobacz w Google Scholar

Wiśniewski Tomasz, Kształt literacki dramatu Samuela Becketta, Universitas, Kraków 2006.
Zobacz w Google Scholar

Wiśniewski Tomasz (red.), Samuel Beckett. Tradycja – awangarda, Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk–Sopot 2012.
Zobacz w Google Scholar